The eNotes Blog 7 Afrofuturist and Speculative Fiction Works to Read For Black HistoryMonth

7 Afrofuturist and Speculative Fiction Works to Read For Black HistoryMonth Theoretical fiction, an umbrella kind including works with powerful or advanced components, is about investigation and experimentation. It permits journalists and perusers to envision new universes and investigate ideas past the impediments of our present reality. Dark creators, specialists, and entertainers have generally utilized the class to make one of a kind, incendiary investigations of how close to home character cooperates with sociocultural gauges and desires. The longstanding connection between dark makers and theoretical fiction has additionally offered ascend to the creative and social development known as Afrofuturism. Afrofuturism expects to speak to the chronicles and encounters of individuals from over the African diaspora in modern stories. It exists as a methods for both praising dark personality and culture and of countering the prevalently white and Westernized future regularly depicted in standard theoretical fiction accounts. Lets see seven titles that are ideal peruses for anybody searching for exciting and interesting tales about enchantment, innovation, and the future through the eyes of dark creators. 1. Binti by Nnedi Okorafor Nnedi Okorafor’s novella Binti is a short however exciting story about the main Binti, a youthful Himba lady who leaves Earth so as to go to an intergalactic college. At the point when outsiders assault Binti’s boat, information and innovation from her Himba foundation at last spare her life and push her into the job of intergalactic ambassador. Through Binti, Okorafor rejects a Westernized and homogenous vision of things to come and rather envisions how social practices and customs may adjust to an inexorably innovative world. Page check: 96 Kind: Science Fiction Distribute date: 2015 2. The Broken Earth set of three by N.K. Jemisin Page check: 400â€500 Kind: Fantasy; Science Fiction Distribute date: 2015â€2017 N. K. Jemisin’s epic The Fifth Season won the 2016 Hugo Award for Best Novel, making Jemisin the primary dark creator to win a Hugo in that class. She at that point won it again in 2017 and 2018 for the subsequent books, The Obelisk Gate and The Stone Sky. Set in a world separated by severe standings and wracked by visit natural fiascos, Jemisin’s Broken Earth set of three inquiries the systems that propagate persecution and imbalance. Through her unbelievably composed characters, Jemisin perceives the alterability of personality and the manners by which our encounters shape and change us. 3. Earthy colored Girl in the Ring by Nalo Hopkinson Page check: 250 Kind: Fantasy; Science Fiction Distribute date: 1998 Distributed in 1988, Brown Girl in the Ring was creator Nalo Hopkinson’s debut novel. It follows the tale of Ti-Jeanne, a single parent, as she explores the uncontrolled defilement and viciousness that has flourished in a tragic rendition of Toronto, Canada. So as to spare her city-and herself-Ti-Jeanne must figure out how to grasp her grandma Gros-Jeanne’s Afro-Caribbean mysticism and saddle the enchantment that lives inside her. Through Ti-Jeanne’s story, Hopkinson investigates the manners by which people can draw quality from their societies and networks. 4. Dull Matter: A Century of Speculative Fiction From the African Diaspora, altered by Sheree Thomas Page check: 400 Classification: Fantasy; Science Fiction; Short Story Collection Distribute date: 2004 This first section in the Dark Matter collection arrangement, altered by Sheree Thomas, is a festival of the long and rich history of dark theoretical fiction. From a manor story saturated with AfroCaribbean fables (Charles W. Chesnutt’s â€Å"The Goophered Grapevine) to an entertainingly stunning story about sex toys spring up (Nalo Hopkinson’s â€Å"Ganger (Ball Lightning)†), Dark Matter is brimming with innovativeness and cunning social analysis. 5. Dhalgren by Samuel R. Delany Page tally: 836 Sort: Science Fiction Distribute date: 1975 Dhalgren is a test novel that imbues Delany’s encounters with dyslexia and dysmetria into the understanding experience. Set in a tragic world, the novel investigates the city of Bellona through its hero, the Kid. Kid’s view of the truth is undermined by both an odd note pad he gets in the wake of entering Bellona and by his own cracked mental state. By utilizing numerous perspectives, which frequently repudiate one another, Delany rejects the possibility of an authoritative reality for investigating the one of a kind recognitions and encounters of every person. 6. Channel House by Nisi Shawl Page tally: 276 Type: Science Fiction; Fantasy; Short Story Collection Distribute date: 2008 Nisi Shawl’s Filter House is an assortment of short stories, every one of which focuses the encounters and points of view of dark young ladies and ladies. From a urban neighborhood going up against the impacts of improvement to a dystopian water exhibition hall, each of Shawl’s stories offers a vivid setting with a rich feeling of culture and history. Through its interesting cast of heroes, Shawl’s assortment looks at the horde connections that ladies particularly dark ladies have with nature, history, society, and themselves. 7. Story of the Sower by Octavia Butler Page check: 345 Classification: Science Fiction Distribute date: 1993 Octavia Butler is frequently viewed as the authority of dark sci-fi, and no science fiction enthusiast’s rack is finished without Parable of the Sower. It recounts to the account of Lauren Oya Olamina, a dark, high school empath, as she navigates a tragic world and establishes another religion called â€Å"Earthseed.† Like huge numbers of Butler’s works, Parable of the Sower closer views the office, versatility, and creativity of dark ladies even with difficulty.

Best Workplace Practices that contribute to high performance Essay

Best Workplace Practices that add to superior - Essay Example Information security hence turns out to be significant part of maintaining the business. Information security guarantees all data identified with the organization and its administrations is continually shielded from adversaries and dangerous powers, and each representative at each level is liable for Data security consistently. Information security at our association is guaranteed through an assortment of ways, for example, preparing and direction, strategies and techniques, wellbeing and safety efforts. One of the most grounded and secure measures followed is the Restricted Access Practice (RAP), which guarantees information, either as electronic or printed, isn't moved outside the company’s area. For this, employees’ access to electronic information is constrained to just authority work spaces; this implies no worker can either send or get data to or from any outside sources, individually. Representatives are not permitted to convey any type of literature outside the organization’s premises. This entrance is restricted to just a single division, which liaises with outer substances, similar to the US Government bodies and outside sellers, at whatever point required. In addition, all electronic data, either as applications, information, programs and so on, made by the workers will be co mpany’s property and for its utilization along these lines securing any type of penetrate. Any type of break of this training is managed exacting disciplinary activity. The RAP has been amazingly useful in shielding company’s and its clients’ data in this manner expanding its validity and dependability. Additionally, this training wipes out or mitigates any type of egotistical goals of representatives from exploiting the organization’s assets, data and information. Consequently, this training additionally helps in situating all representatives towards the company’s objectives. For the business, this training has helped in procuring validity of its biggest customer, the US

Get Rid of Common Advantages For Knowing How to Write an Outsider Essay Sample

Get Rid of Common Advantages For Knowing How to Write an Outsider Essay SamplePreparing an essay on behalf of an outsider is a big decision and must be made with many considerations. If you are a foreigner in your own country, you must first decide whether or not you would rather be referred to as 'foreigner'inhabitant'.If you want to be referred to as 'inhabitant', you should first determine if you want to be known as an 'inhabitant' only or also as an 'overseas worker' or as a 'foreign worker'. You can't have both. Therefore, you must choose which category you would like to be in.If you are of the opinion that you do not wish to be identified as a 'foreign resident' but rather as a 'non-resident', it is important to find out what sort of visa, for example, you might have. You should also see if there are any laws or conventions which could make your status as a 'non-resident' more convenient.As already stated, there are a number of advantages and disadvantages associated with being referred to as 'foreigner'. One of the best tips is to use the outsiders essay samples from the internet. While there is a great diversity of this type of writing, it is easy to find common writing tips and guidelines online and follow these to avoid most common pitfalls.Furthermore, since most of the outsiders essay samples come from countries where English is a very familiar language, they will often contain grammatical errors, especially when writing about their native language. Although this can be a bit discouraging, it is good to be aware of this so that you will not waste your time or effort. There are also instances where certain words or phrases are translated incorrectly.However, these mistakes can be avoided by learning the basics of English, such as the use of the verb 'to be' and how it can refer to either the noun 'itself' or the subject. To write about something that is present, such as an outsider in a foreign land, you need to use the term 'to be' when it refers to the entity itself.There are many advantages to learning how to write about outsiders. With a little practice, you can write on your essay samples and impress your essay recipients and the people reading your document.

18 Types of Spanish Verbs

There may be as many ways of classifying Spanish verbs as there are people doing it, but discovering how Spanish treats different verbs differently is nevertheless a key part of learning the language. Heres one way of looking at the types of verbs, keeping in mind, of course, that verbs can fit into more than one classification. 1. Infinitives Infinitives are verbs in their most basic form, the way you find them listed in dictionaries. Infinitives by themselves tell you nothing about who or what is performing a verbs action or when. Spanish infinitives—examples include hablar (to speak), cantar (to sing), and vivir (to live)—are the rough equivalent of the to form of English verbs and sometimes of the -ing form. Spanish infinitives can function as verbs or nouns. 2, 3, and 4. -Ar, -Er, and -Ir Verbs Every verb fits into one of these types based on the last two letters of its infinitive. In Spanish there is no verb that ends in anything other than one of these three two-letter combinations. Even verbs that are made up or imported such as surfear (to surf) and snowboardear (to snowboard) require one of these endings. The distinction among types is that they are conjugated based on the ending. 5 and 6. Regular and Irregular Verbs The vast majority of -ar verbs are conjugated in the same way, and the same is true for the other two ending types. These are known as regular verbs. Unfortunately for Spanish students, the more used a verb is, the more likely it is not to follow the regular pattern, being irregular. 7 and 8. Defective and Impersonal Verbs The term defective verb is usually used to refer to a verb that isnt conjugated in all its forms. In traditional Spanish, for example, abolir (to abolish) has an incomplete conjugation set. Also, soler (to usually do something) doesnt exist in all tenses. Most defective verbs are also impersonal verbs, meaning that their action isnt performed by a distinct person or thing. The most common such are the weather  verbs such as llover (to rain) and nevar (to snow). Since theres no logical reason to use forms that mean something like we rain or they snow, such forms dont exist in standard Spanish. 9 and 10. Transitive and Intransitive Verbs The distinction between transitive and intransitive verbs is important enough to Spanish grammar that the classification is given in most Spanish dictionaries—vt or vtr for verbos transitivos and vi for verbos intransitivos. Transitive verbs require an object to make a complete sentence, while intransitive verbs do not. For example, levantar (to lift or raise) is transitive; it must be used with a word that indicates what is lifted. (In Levantà ³ la mano for He raised his hand, mano or hand is the object.) An example of an intransitive verb is roncar (to snore). It cannot take an object. Some verbs can be transitive or intransitive depending on the context. Most of the time, for example, dormir is intransitive, as is its English equivalent, to sleep. However, dormir, unlike to sleep, can also mean to put someone to sleep, in which case it is transitive. 11. Reflexive or Reciprocal Verbs A reflexive verb is a type of transitive verb in which the verbs object is also the person or thing performing the action of the verb. For example, if I put myself to sleep, I could say, Me durmà ­, where durmà ­ means I put to sleep and me means myself. Many verbs that are used in a reflexive way are listed in dictionaries by adding -se to the infinitive, creating entries such as dormirse (to fall asleep) and encontrarse (to find oneself). Reciprocal verbs take the same form as reflexive verbs, but they indicate that two or more subjects are interacting with each other. Example: Se golpearon uno al otro. (They beat up on each other.) 12. Copulative Verbs A copulative or linking verb is a type of intransitive verb that is used to connect the subject of a sentence with a word that describes it or says what it is. For example, the es in La nià ±a es guatemalteca (The girl is Guatemalan) is a linking verb. The most common Spanish linking verbs are ser (to be), estar (to be), and parecer (to seem).  Verbs that arent copulative are known in Spanish as verbos predicativos. 13. Past Participles A past participle is a type of participle that can be used to form the perfect tenses. Although most end in -ado or -ido, several past participles are irregular. As in English, past participles can also usually be used as adjectives. For example, the past participle quemado , from the verb quemar, meaning to burn, helps form the present perfect tense in He quemado el pan (I have burnt the bread) but is an adjective in No me gusta el pan quemado (I dont like burnt bread). Past participles can vary in number and gender like other adjectives. 14. Gerunds Present adverbial participles, often known as gerunds, end in -ando or -endo as the rough equivalent of English -ing verb forms. They can combine with forms of estar to make progressive verb forms: Estoy viendo la luz. (I am seeing the light.) Unlike other types of participles, Spanish gerunds can also function much like adverbs. For example, in Corrà © viendo todo (I ran while seeing everything), viendo describes how the running occurred. 15. Auxiliary Verbs Auxiliary or helping verbs are used with another verb to give it vital meaning, such as a tense. A common example is haber (to have), which is used with a past participle to form a perfect tense. For example, in He comido (I have eaten), the he form of haber is an auxiliary verb. Another common auxiliary is estar as in Estoy comiendo (I am eating). 16. Action Verbs As their name suggests, action verbs tell us what someone or something is doing. The vast majority of verbs are action verbs, as they include the verbs that arent auxiliary verbs or linking verbs. 17 and 18. Simple and Compound Verbs Simple verbs consist of a single word. Compound or complex verbs use one or two auxiliary verbs and a main verb and include the perfect and progressive forms mentioned above. Example of compound verb forms include habà ­a ido (he has gone), estaban estudiando (they were studying), and habrà ­a estado buscando (she will have been seeking). 10, 20, and 21. Indicative, Subjunctive, and Imperative Verbs These three forms, known collectively as referring to a verbs mood, indicate the speakers perception of a verbs action. Simply put, indicative verbs are used for matters of fact; subjunctive verbs often are used to refer to actions that the speaker desires, doubts or has an emotional reaction to; and imperative verbs are commands.

The Two Shopkeepers- Kantian Ethics and Consequentialism...

Liza G Prof. Williams Ethics 21 November 2011 The Two Shopkeepers One of the several topics covered in Kant’s Groundwork for the Metaphysics of Morals is the issued of two shopkeepers. One shopkeeper is honest with his customers in order to maintain a positive reputation and improve profits. The second one is honest because he thinks it is right and exercises his respect for the moral law. The first shopkeeper is motivated to be honest by the rewards of a positive reputation and profit. The second is motivated by respect for morally right action. Taking these motivations into consideration from the standpoint of Kantian ethics, it is clear which shopkeeper is acting right. Kant believes that actions that are†¦show more content†¦This notion of respect for persons has to do with treating people as having intrinsic value in and of themselves. The first shopkeeper is only acting to reward himself through the means of his customers. The fact that he is not rewarding customers with honesty, but complying with the moral law in ord er to reward himself with a good reputation and profit makes it so that he is not acting rightly. The second shopkeeper, however, is acting in accordance with Kant’s categorical imperative. This shopkeeper acts in accordance with the first formulation of universalizability. Unlike the first, the second shopkeeper is honest because he knows it is morally right. And this passes the universalizability test since an ideal society would inhabit people who act based on the sense of right and wrong, according to Kant. The keeper’s honesty is also reversible, because if others in a society acted out of respect for the moral law like he is, everyone would be acting right towards one another. He complies with the second formulation by his honesty with customers out of respect for the moral law. He is not only using the treatment of his customers as a means for honesty, but also as an end respect for the moral law. In other words, being honest with his customers is not only enabling him to act morally right, but allowing him to be evaluated as respecting the moral law (Singer 274-275). Now, aShow MoreRelatedKant And The Moral Law1451 Words   |  6 Pagesthe consequences that flow from it, but in the intention from which the act is done. This is due to the fact that , for Kant, what the motive behind your action is, matters. It is also important to note the difference between deontology and consequentialism. For consequentialists, results matter rather than the actions. An example of this is utilitarianism, where the main goal is to produce the best results regardless of the actions (like killing other people) even if this leads us to sacrifice

Free Rappaccinis Daughters Cheeky Rappacci Essay Example For Students

Free Rappaccinis Daughters: Cheeky Rappacci Essay nis Daughter Essays Rappaccinis Daughter Cheeky The key to my understanding Hawthornes perspective on Science and Nature in Rappaccinis Daughter was his cheeky introduction, when he placed himself somewhere between transcendentalists and pen-and-ink men who address the intellect and sympathies of the multitude too unpopular for the multitude, and too popular for the transcendentalists. Choosing not to fit in either camp, he seems to tease us with the merits and deficits of each science and nature, too. Its not a matter of balance, or a weighing of arguments. His device here is to play upon the tensions attendant to these apparent polarities.On the first reading Rappaccinis Daughter appeared to be a cautionary tale, a warning about the dangers of too much science, excessive manipulation of nature leading to thwarted nature, the fatality that attends all such acts of perverted wisdom. Rappaccini is described as a vile empiric and not restrained by natural affection for his daughter . Beatrice, his daughter, describes herself as merely his earthly child, while the plants are the offspring of his intellect.Beatrice is described by her physical beauty and poisonous physical nature. She is described also by the pure light of her character. Giovanni, the would-be lover, alternates between obsession with Beatrice which might be love and abhorrence of her. The obsession is with her beauty and simplicity her goodness. The abhorrence is with her poisonous physical nature. Giovannis character, however, is found wanting when he urges Beatrice to take the fatal antidote to her poisonousness. Beatrice protected Giovanni from fatal poisoning when she stopped him from touching her sister plant. She protected him from fatal physical contact with her. At the end, she protected him by ending her life.I did not see sexuality in this story on the first reading. It can be interpreted with a great deal of sexuality in the symbolism, and in the phrasing. Laura Stallmans survey of criticisms informed my view on this greatly. She refers to Frederick Crews criticism: The garden is found to have strong sexual connotations and Crews calls attention to the virtually pornographic scene in which Lisabetta (the landlady) leads Giovanni to the entrance to the garden and he presses money into her palm, much like a john paying a madame. After being led along several obscure passages, Giovanni must finally force himself through the entanglement of a shrub that wreathed its tendrils over the hidden entrance. There are many criticisms of this work that read it through such a lens. Such provocative images have purpose, especially when a work can be read on so very many levels. On one level, suggestive images can serve to keep the readers interest. Michael Gilmore (in Stallmans survey) notes that Hawthorne was having problems attracting a popular audience. Perhaps he boosted sales/popularity with this. (As Kristen noted, Hawthorne was just having fun with this piece, too!) Sexuality is an important element of the story, but perhaps only a vehicle through which to tell another story. Sex is sometimes about power.I read this story now as an exploration of human nature, particularly as a story about the human lust for power. Rappaccini used science as his vehicle for power over nature, through Beatrice and the garden. The objectivity of science was represented by his demeanor with his daughter and his garden touching nothing directly, only looking and tending from a distance. Baglioni sought power manipulatively and politically represented by his academic rivalry with Rappaccini, his plan to kill Beatrice, and his manipulation of Giovanni as the instrument to kill Beatrice. Giovanni wanted power over Beatrice he wanted to recast her into a form he could love he couldnt love her as she was. Beatrice and the plants in the garden were the innocents in this story they simply came into being. The poison in their physical nature simply was there was no m alice in them. Beatrice was the only human who exhibited real love, and who only wanted love/to love. She expressed her love for Giovanni by dying and in dying released herself from (transcended) the power of each of .uae1fed9342225de84edd0f1e3731a1c7 , .uae1fed9342225de84edd0f1e3731a1c7 .postImageUrl , .uae1fed9342225de84edd0f1e3731a1c7 .centered-text-area { min-height: 80px; position: relative; } .uae1fed9342225de84edd0f1e3731a1c7 , .uae1fed9342225de84edd0f1e3731a1c7:hover , .uae1fed9342225de84edd0f1e3731a1c7:visited , .uae1fed9342225de84edd0f1e3731a1c7:active { border:0!important; } .uae1fed9342225de84edd0f1e3731a1c7 .clearfix:after { content: ""; display: table; clear: both; } .uae1fed9342225de84edd0f1e3731a1c7 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uae1fed9342225de84edd0f1e3731a1c7:active , .uae1fed9342225de84edd0f1e3731a1c7:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uae1fed9342225de84edd0f1e3731a1c7 .centered-text-area { width: 100%; position: relative ; } .uae1fed9342225de84edd0f1e3731a1c7 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uae1fed9342225de84edd0f1e3731a1c7 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uae1fed9342225de84edd0f1e3731a1c7 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uae1fed9342225de84edd0f1e3731a1c7:hover .ctaButton { background-color: #34495E!important; } .uae1fed9342225de84edd0f1e3731a1c7 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uae1fed9342225de84edd0f1e3731a1c7 .uae1fed9342225de84edd0f1e3731a1c7-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uae1fed9342225de84edd0f1e3731a1c7:after { content: ""; display: block; clear: both; } READ: The Many Benefits of ObamaCare Essay

Is Salieri the Protagonist or Villain of the Play free essay sample

Misunderstanding Galleries role in the play Amadeus has many functions. Not only does he, in a sense, narrate the play, but his persona and identity could also claim him title of tragic hero, or even that of the protagonist. How his character is perceived by individuals In the audience, or even through different parts of the play, could suggest that his role doesnt actually have a permanent fixture. Is It possible that he manipulates the change of his own character, as he manipulates the life of Mozart? And Is Saltier, himself, even aware of this change that Invokes his actions?Saltier and the Eventually are the only characters in the play who seem to ever communicate, directly, with the audience, which sways us towards the Idea of Sealers being considered as a narrator of the play, yet, the fixation on Sealers and his life In this play (even If his life Is fixated on Mozart), suggests otherwise. We will write a custom essay sample on Is Salieri the Protagonist or Villain of the Play? or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Sealers Is clearly more fitted to the definition of ;protagonist, than Mozart character; the play focuses on how Sealers feels about the negative effects Mozart has had on his life, and secondly, we hear private thoughts on the occurrences, through Saltier, and rarely Mozart.Furthermore, as Saltier helps to narrate the play, the thought of him being the protagonist becomes more convincing. Like many novels and plays that are written in first person, that character is often then perceived as the protagonist. As readers or viewers, we are able to have a closer connection with that character, thus, are more inclined to feel empathy for them when in dispute, whether or not theyre wrong or right. Although Galleries character is seemingly cunning and evil, he doesnt lack empathy from the audience. As well as being the character we make the first and strongest connection with, theNay he feels about Mozart could represent how many people feel and may think about acting when they find themselves in a similar situation. Knowing about someone who is naturally more talented at something you find is a passion of yours, can be frustrating. But knowing someone personally who is able to overshadow your own attempts, as you can imagine, must be unbearable. However, as Saltier has this connection with the audience, and too, has the fatal flaw of mediocrity, he could also be seen as a t ragic hero; but is this a title that could be better fitted to Mozart such as the Gods instrument?Who the protagonist is, in this case, of a play, Is usually dependent on how well the audience is able to relate to the character. People often relate to the under-dog, that are able to prove themselves as worthy, despite obstacles or other aspects that get in their way of what they wish to achieve. But, an Important quality protagonists must have, and one that Saltier undoubtedly possesses Is an understandable flaw, Like that of a tragic hero. Although In quite a high position, In the music business, Sealers seems to be more than aware that his ability Is not something that can even be compared to Mozart talent, something thatSealers describes as hearing [the] voice of God. Regardless of his lack of ability to make miraculous music, as Mozart did without correction, Sealers does not necessarily not achieve anything worthy of a title. Mediocrity is often seen quite negatively, despite it being in the definition of the word itself, mediocre. This is not particularly bad, nor particularly good. Saltier appoints himself the position of the patron saint of mediocrity. Although not fulfilling the desire of the position he connect with him, and possibly see him as a figure of fictional-authority.In the case f Mozart however, we can clearly see he is not a character that fits the position of the protagonist. In fact, when speaking in terms of the protagonist, he seems to be almost the opposite of Saltier. We never really have much of an opportunity to form a bond with Mozart, like we do Saltier, so the extent to which our feelings for him are able to travel, could be considered a limp throw in comparison to the life-long Orkney we take with Saltier.We can feel sympathy for what happens to Mozart, and the unfortunate events that he encounters, however, because of his immaturity and lack of understanding, were not able to feel empathy for him. Indubitably, Mozart has flaws, yet are less understandable and more fatal; his immaturity and ignorance of others feelings, are something that could be easily be changed, or worked on, in comparison to Galleries innate faults. For example, the originally praised march that Saltier composes for the arrival of Mozart, is ironically, destroyed by Mozart not soon after his arrival. Mozart refers to Galleries composition as a Jolly little thing, without the means of insulting him. Yet, because of the lack of Mozart social skills, he does so unknowingly, which also denies Saltier the right to respond with an equally insulting comeback. Howbeit, the talent for music that Mozart possesses, almost dehumidifies him, so the importance of social interaction doesnt necessarily apply to Mozart. Whether or not he would have had less of a tragic ending if he was able to have a more mature and sympathetic relationship with other characters, is a question that remains unanswered.Would Saltier still be able to manipulate Mozart to the point of death, if Mozart wasnt so naive? Or would Mozart be mature enough to take himself to an ending that wasnt such a fatal outcome? Despite these questions, Mozart was a character who had an obvious fatal flaw, but also was endowed with the ability to make God-like music, which allows him to be the tragic hero of the play. Saltier, on the o ther hand, was an average man that composed equally average music, but seemed to be the only one who really understood the great quality of Mozart work, thus the one most savagely wounded by it. . Although No the protagonist appears to be, is quite clear, whether or not Saltier can also be considered the villain of the play isnt so obvious. Despite greatly affecting the speed at which Mozart downfall occurs, its not to say, that Mozart wouldnt have eventually came to such an end, by himself. In The Marriage of Figaro, Mozart writes in a dance, during the opera, despite His Majesty [had] expressly forbidden ballet in his operas. Saltier had been, yet another time, the works behind this event by informing Rosenberg, who physically removes the dance from the manuscript.Despite having the encounter with Rosenberg, Mozart still insists that this is Galleries idea! , and indeed it was. Yet, the reasoning behind Galleries want to destroy Mozart can be Justified, which makes him seem less villainous despite still being the main cause of Mozart downfall. What Saltier primarily desires, isnt something at all evil; e wished to be Gods gift. Yet, due to a turn of events, this initially religious and holy desire, becomes something very evil and twisted.As a result of this, Galleries character is seemingly evil, yet only through a positive characteristic; determination. If we, as an audience, didnt find it so easy to relate to Saltier, the thought of him being a villain, would be quite accurate. However, as we can connect to Saltier so well, definite title, if it means, that we too, are partially that. Saltier is no doubt the protagonist of this play; we best connect with his character as we can relate to his Nay of acting and understand why he takes the actions that he does.Despite some of the less pleasant of his doings, he never acts without reason, so we find it hard to form a disliking for him, from this reason alone. Furthermore, as he speaks directly to the audience, we feel that he interacts with us as well as the characters in the play. Vet, he is unable to be defined as villain or a tragic hero, purely because the way he acts isnt intentionally or completely evil, yet neither does he have omnipotent traits or boundless abilities, like that of Mozart. His downfall, however, could be considered equally as tragic.